Adam Ford is the man behind the prolific and often viral producing online comic-strip Adam4D. He’s a Christian, a husband, and father of three young boys. Back in 2014, he quit his job to create comic strips full-time.
Since launching the Contradict – They Can’t All Be True Facebook page to help promote my book by that title, I have regularly found myself sharing Ford’s work. Those posts generally draw many likes and shares. His strips are often times found on many other Christian social media pages, typically groups or individuals who accept that the Bible is the inerrant, inspired Word of God. Groups and individuals who are not labeled as liberal Christians or heretics!
When he’s not using presuppositional apologetics to tear down false-worldviews, or picking apart the lies of Darwinian Evolution, Ford is typically highlighting the pitfalls of legalism and self-justification within Christian circles, or the way verses are often times ripped out of their context and twisted to mean something that was never implied within the text.
The Gospel typically had predominance in his doctrinal and homiletical comic strips, so he gains many fans who recognize that we truly are saved solely by the work of God that faith really is a gift and work of the Holy Spirit.
But sometimes, even when we are pointing to Jesus as the author and perfecter of our faith, the only one who works in our conversion and salvation, we can still twist Scripture. And when Jesus and his saving work is front and center, it’s easier for us conservative mongergists to clap, clap, clap and share, share, share, when we shouldn’t.
I think Adam Ford took a misstep when he was taking a swing at the prosperity Gospel preachers in his strip entitled, “Good News: We Are Not David.” I saw many people share this strip, people I personally know, but I couldn’t hit the like button this time, and I couldn’t hit the share button without posting a critique.
For this episode, I gathered Conni Schramm, back from episodes 7 and 64, Jon Rutherford, back from some recent episodes, and Jonathan Platt, who was sitting on the wall like a fly, but kept hopping on a mic to interject questions.